Zwischen Himmel und Erde Zwischen Wirbeln des Lebens Zwischen Extremen und Extremen Ist ein Gleichgewicht verborgen. I Stille Unruhe II Extrem III Extrem IV Dazwischen

Für Weihnachten 2019 Der Winterwind weht, die Kerzenflamme flackert. Die Jugend ist genau richtig, lasst uns zusammen tanzen! *Uraufgeführt in den Steinway-Gärten des Zentralen Konservatoriums für Musik

Dieses Stück ist in drei Abschnitte unterteilt: I. Schwärme von Fischen, die schwimmen: II. Entfaltung zwischen den Wellen: III.Tage auf See Das übergeordnete kreative Konzept basiert auf dem Gedicht „Auf dem Meer“ von Hai Zi, während die melodischen Motive aus dem traditionellen kantonesischen Volkslied „Ins Wasser fallen“ stammen. Im ersten Teil wird das Tremolo des Kontrabasses verwendet, um die Schwimmhaltung der Fische im Wasser und die Wellenbewegungen auf der Oberfläche darzustellen. Dabei werden thematische Fragmente in einer fragmentierten und motivbasierten Weise präsentiert. Im zweiten Teil beginnt die Musik zu fließen, wobei ausgedehnte Legato-Passagen und eingestreute lange Melodielinien verwendet werden. Kontraste zwischen hohen und tiefen Tönen begleiten die kontinuierlichen Linien, die schließlich zu Blöcken wilder Wellen formen. Im dritten Teil wird das vollständige kantonesische Volkslied „Ins Wasser fallen“ vorgestellt, allerdings mit einer ausgedehnten Verwendung von Atempausen, um einen „yiyiya“-Summ-Effekt zu erzeugen, der an das ferne und ätherische Singen von Fischern erinnert, die durch die Meeresbrise treiben.

Transcendental Nightingale tells the true story of Elizabeth Blackwell (1821-1910), the first woman to be licensed as a medical doctor in the United States in 1849. In this aria, the 26-year-old Elizabeth is processing a series of rejections from medical schools who will not consider her application. She has been advised that the only way to earn a medical degree is to leave the United States for Europe and apply to schools under an assumed name, disguised as a man. Now, she makes a final decision about how to move forward with her dream: pursue her degree under a false name, or face yet another rejection as her true self? This piece was commissioned by DAAD Scholarship winner vocalist Victoria Erikson and the text was written by Professor Jodi Goble

The Humming from Afar A song, deliberate or not Misty and vague, a melody. Like whispers in the vast expanse, Intermittently drifting, From far, far away.

Spring is youthful, spiritited,uninhibited and vigorous, and in this work the author tries to express the spring in his heart. This work is divided into four parts: I Contending Il Dew III Gallop IV Blossom

This is a story A story about a man An ancient knight "When I was young, I used to live in a small town, You know that, a village with fields and oak trees, the village is full of lovely people .... Young do not know the taste of worry, time passes quickly. A boy becomes a man, He started to know how this world work. He is ambitious and enthusiastic. He stayed away from his hometown and slayed evil. In order to protect his country and defend it, he took a bow, arrow and a sword to the battlefield. There was smoke everywhere, and the soldiers roared everywhere. The bow and arrow fell like rain. He went through difficulties. Finally, the world was quiet, A arrow shot through his chest. Suddenly everything disappeared, all he can hear is the sound of motherland, smell the taste flowers in hometown. "ah....If I can go back to that ..." He fell Fell into a field full of corpses surrounded only by the gray armor and blood red.

This work was commissioned by the Second Sichuan Folk Music Collection Program for Young Chinese Composers of Sichuan Conservatory of Music. It is the author's recollection of folk music collection in Daliang Mountain, as well as a reflection inspired by the poetry of Jidi Majia. Daliang Mountain is vibrant and colorful. In my memories, there are mountains, clouds, as well as bright singing voices and dark faces. "I dreamt of yellow I dreamt of a thousand yellow umbrellas singing in the distant mountains The yellow hem pulled the dancing sun The yellow mouthpiece flashed bright wings I dreamt of yellow But I wouldn't not know When did the beautiful and bright colors in this world Stay on the ancient wooden vessels" —Jidi Majia, "Colors Dreamt by Yi People" This work premiered at the Sichuan Conservatory of Music, commissioned by the "Daliang Mountain Journey" concert for young composers.

"Summer pairs with Spring, Autumn pairs with Winter, Mourning Drum pairs with Morning Bell." The chimes are a form of belief, their sounds carried from beyond the mountains. The melodic material of this piece is built upon a perfect fourth and employs a wide range of emotional expressions in its orchestration. The percussion ensemble converses with the ethnic instrumentalists and the chimes, creating a harmonious dialogue.

I began to study Chinese ancient prose in depth. From Confucius, Mencius and Zhuangzi to The Songs of Chu and the book of songs. I gradually understand that philosophy is simple words and unity of knowing and doing. The way of a gentleman is to cultivate one's moral integrity through quietness and thrift. I have just begun to understand the beauty of Chinese characters.

Die Inspiration für dieses Werk stammt aus einer Kurzgeschichte namens 'Nebel' der chinesischen avantgardistischen Schriftstellerin Can Xue. Diese Geschichte erzählt von einem Tag, an dem unser Zimmer voller Nebel war. Überall um mich herum wuchs Flaum. Meine Mutter war verrückt. Meine Brüder konnten nicht gehen, obwohl sie schon über 20 Jahre alt waren. Mein Vater band meine Brüder an seinen Gürtel und schleuderte sie herum. Eines Tages ging meine Mutter nach draußen und kam nie wieder zurück. Ich suche sie jedes Mal, und ich weiß, dass sie in der Nähe ist... Uraufgeführt von Zuo Yihang in Peking, im Auftrag von Professor Shen Yuan.

'This piece is to memorize 2020' From the beginning of this year, I have already stayed at home about 6 mouths. Every day and night I was like a type, a loop, a Mobius ring. Never go out . In fact, I feel that my mental state is close to the edge. I usually gaze those sky, which is most purely thing in my around, Maybe. That's a cure for human disaster, for everything. This piece' s material is based on some discordant intervals, and overtones. Violin' s overtones are like infinity sound, like you always could hear that sound somewhere. All the overtones in this piece, they are continuous, Maintained, keeping sound.

This work was commissioned by Hainan University and included as one movement in the symphonic suite "Tropical Rainforest". "The sheltering bamboo tiles, the carrying bamboo raft." The overall conception of this piece is based on the original sound characteristics of the national-level intangible cultural heritage project: the Hainan Li ethnic group's "bamboo and wood”instrumental music. Utilizing the solo instrument marimba and other percussion instruments, the composer attempts to create a rich and colorful musical spiritual world of the Li ethnic group. Additionally, the melody of the Hainan Li ethnic folk song "Long Time No See, Long Time See" appears prominently or subtly throughout the entire piece, serving as an important source of melodic pitch for this composition.

“*This work has been authorised for the first collection of outstanding children's choral works of the "Beilei Cup of Central Sound" and has been published.”

"Soloist's song is divided into three parts: I "Surging" — —In the past it rushed Il "Soloist"- —listening the sound in this place Ill "Burst" — — Endless courage *Uninterrupted performance of the whole piece. "Soloist's song" comes from a touching. The soloist sings of loneliness and strength. The soloist sings of continuous progress. The soloist sings of the past and the future. This piece was premiered by Suzhou Symphony Orchestra at the 2nd Jinji Lake Composition Competition.

In the mist, in this uncertain . Intermittently Like the first voice in my life , like the surrounding sounds are tentative Learned in memory Silent voice. *This piece was premiered at the 11th Con tempo final concert.

Andry had been playing the piano for fifteen years, but he faced a setback when he failed at the Bernstein piano contest, disappointing everyone around him. Feeling hopeless, he eventually picked himself up and decided to become a piano tuner, pretending to be blind by wearing special contact lenses. This deception allowed others to perceive his hearing as more acute, garnering sympathy and more money. Additionally, he found pleasure in secretly observing others' privacy. However, one day, while working at a house, he unknowingly stumbled upon a crime scene... The work was selected for the 2018 ISCM&BMMF "WORLD NEW MUSIC DAYS" contemporary music festival, premiered by conductor Xu Zhong and the Suzhou Symphony Orchestra. The following year it was performed in Hamburg by conductor Bar Avni, singers Pia Davila, Florian Wugk and Symphoniker Hamburg & Symphonieorchester der HfMT Hamburg.

In the winter of 18 years, I visited a good friend in Canary, Spain. The moons of the Canary Islands are clear as water, and the stars are light and sparse. I stand barefoot on the burning hot sand, I listened to the sea breeze and looked at the Sahara in the distance, Every day when the red sun disappears at sea level, I envy her simple life. Her life, only their own red brick houses, an end of the island, and the boundless desert. This song is for her, my good friend Melanie Lopez. *This work was premiered at the 5th Anniversary Ensemble Novel Concerts.

I reside in a German port city:Hamburg- Autumn there is exceedingly cold， With biting winds and drizzling rain howling incessantly outside my window throughout the day. Yct. Hamburg is tranguil, dcvoid of thc urban clamor that usually accompanies city lifc. During countless nights, in moments when homesickness grips me， It is the wind and rain that share confidences with me. Published by Zhejiang Conservatory of Music Publishing House, commissioned by Professor Wu Man.

Single mother Liu Xuemei puts her best foot forward to take care of her cerebral palsy daughter Qian Gan. In her hustle and bustle, she offends Fang Xiu, a major client, causing her company to lose an important order. Liu Xuemei must beg Fang Xiu's forgiveness and win back the client. In desperation, Liu Xuemei hijacks Fang Xiu's car. The hijacking of Fang Xiu's car completely changes the fate of Liu Xuemei's mother and daughter. *The film has been nominated for Best Film at the Macau International Film Festival.

This piece is my understanding and interpretation of portrait painting. For me , the characteristic of a portrait lies in its lines and changes in levels. This work was commissioned by the 2nd Hangzhou Contemporary Music Festival and premiered at the special concert - Portrait.

“Payer’s song is divided into four parts: I “Surging”——a long river in the desert II “Stars”——Sparse bells from the wind III “Flame”——Black Dancing IV “Chanting”——singing in the rotation * Uninterrupted performance of the whole piece. “Payer’s song" comes from an idea, an imagination. Day and night I overlook the tall buildings outside the window, staring at the distant sky, desire for everything in the world, so I use my imagination to describe it, sing it, and then praise it. The object of singing is a kind of belief, which comes from imagination outside the desert but can't reach. * This piece was premiered by conductor Lin Dayeh and the NCPA Orchestra as part of the 6th NCPA Young Composers Programme.

A wedding without a bride, a seemingly witty passerby, the temptation of a letter, A scream falling down a hundred steps... After the sudden demise, can Orpheus, forgetting the memories in Lethe's river, reunite with his deceased father in the underworld? And how does Eurydice, left behind in the mortal realm, open the gate to the true realm and save Orpheus? When both familial and romantic love extend their hands, should one go, or should one stay? "Thump, thump, thump..." Shh, it seems she's whispering to us in a low voice...